freepik-company/magnific

Make static campaign creative with Magnific - key visuals, social posts, stories, banners, posters and display ads, on-brand with a brand kit, adapted to every format and safe zone, with A/B test variants and localized versions. Use it when the user wants Magnific to make any ad, campaign, key visual, social post, carousel, banner, poster, thumbnail or "make variations of this ad" request from a marketing team or agency, including when they want a layout copied from an existing ad.

Generate film-quality shots and sequences with Magnific - hero shots from an approved keyframe, b-roll and establishing shots, documentary footage, image-to-video, multi-shot scenes, extensions, blocking or 3D previs turned into final renders - choosing the right model, resolution and camera language for each shot and staying inside the budget. Use it for any request to generate, animate, extend or re-render a shot, scene, clip or sequence for a film, series, documentary, music video or brand film.

Keep the same character, actor, mascot, product or location recognisable across many Magnific images and videos - character sheets, library assets, reference wiring per model, lookbooks, episodes and campaigns. Use it whenever a person, character, product or place must look identical in more than one output, or the user mentions consistency, continuity, the same face, the same outfit, a recurring character, a mascot, a cast, a lookbook or a series.

Choreograph fights and physical combat for Magnific video so they read as real, readable and hard-hitting instead of soft, floaty movie kung fu - beats written as body geometry, contact and reaction physics, coverage choices (one continuous take, medium plus insert, one-hit-per-shot montage with speed ramps), a closing FIGHT LOCK, and the Magnific model and call settings for each. Use it for any fight, brawl, scuffle, takedown, melee or combat beat in a film, ad or music video, and whenever the user says the punches look soft, the hero looks stiff, hits do not land, extras move in sync or the fight is unreadable.

Operating rules for every Magnific MCP job - pricing with simulate_cost, drafting cheap before expensive finals, picking models from the live catalog, uploading the user's files, saving into the right project, waiting for async results without duplicate paid calls, and delivering editor-ready files. Read it before the first Magnific generation or edit in a conversation, and whenever a Magnific job spends real money, uploads files, runs several jobs, or ends in files for Premiere, Resolve, After Effects, Photoshop or Figma.

Edit an existing image with Magnific while keeping everything else intact - remove or replace an object, change a product, color, expression, wardrobe or text, extend the canvas, relight, fix skin, swap a background - on approved art, photos and frames. Use it for every "change only X", "remove this", "replace that", "keep everything else the same", "fix this image" or "don't regenerate it" request, and before touching any image the user calls approved or final.

Turn a script, scene, treatment or idea into a shot list, storyboard frames and a timed animatic with Magnific - consistent characters and locations, one visual style across frames, cheap draft motion for timing, and a board the team can review. Use it for previs, pre-vis, storyboards, shot lists, animatics, lookbooks of a scene, pitch boards and "visualize this script" requests from filmmakers, agencies and studios.

Make product images with Magnific that keep the real product exact - e-commerce packshots on pure white to marketplace specs (Amazon, Shopify, Zalando), cut-outs, lifestyle and in-situ scenes, new angles and colorways, packaging and label mockups, and whole catalog sets. Use it whenever the user has a product (photo, packshot, SKU, bottle, shoe, box, garment, device) and wants Magnific to make images of it, even if they only say "put my product in a nicer scene" or "make listing photos".

The directing structure inside a Magnific video prompt - scene arc, space map, opening frame, per-shot camera, start and end states, exact dialogue, physics, light, audio and locks - written into each shot of a Seedance multi_prompt call (or one timecoded prompt for a single take). Use it whenever a video prompt is being written for a scene, sequence, short film, ad or music video with characters, dialogue, action or a camera plan, and whenever a take came back with people swapping sides, a room that flips, a missed ending, recited lines or a flat, generic look. Works with cinematic-shots, which owns model choice, pricing and delivery.

Create and finish sound with Magnific - voiceovers and narration, character dialogue, lip-sync to an existing shot or a still, music beds and jingles at a given BPM and length, sound effects and ambiences, scoring a cut, voice changing, cleaning a recording, mixing tracks and delivering WAV stems. Use it whenever the user wants Magnific to make or change a voice, VO, narration, dialogue, lip-sync, talking head, music, soundtrack, jingle, SFX, Foley, ambience or audio mix, alone or for a video.

Produce short video ads with Magnific - product commercials, social spots for Reels, TikTok and Shorts, UGC-style talking videos, and TV-style 15/30-second cuts - from a brief, a packshot or a key visual, with the product kept exact, music or voiceover, and every format the media plan needs. Use it whenever someone wants an ad, spot, commercial, promo, product video, UGC video or social video made with Magnific, even if they only say "animate this product" or "make a reel".

Finish and deliver video with Magnific - upscale to 2K or 4K, SDR to HDR, LUT and manual color grades, matching a look, relighting, cleaning up or changing existing footage (remove text, logos and objects, swap elements, restyle), reframing for other aspect ratios, retiming, extending, joining, cutting out the subject, and rendering ProRes, DNxHR or PNG sequences for the edit. Use it for any request to improve, fix, grade, upscale, reformat, clean up or deliver a clip that already exists.